Fragments of new ideas

To be honest, I’m not entirely sure where I am going with these but I thought I’d post them anyway. These are two different cue ideas for two very different scenes. The first is set in a Dorian mode which gives it a really distinctive sound. You have more than likely heard T.V. composers using this mode when setting music to those bleak, cold, winter scenes, wide shots and solitary subjects.

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Although the harmony shifts around the melody, I use an upper-pedal note that sounds constantly to add to the expanse and emptiness. I’ll talk more about pedals (high and low) in other music posts but they are very useful devices. I think my EQing is steadily improving (moving in the right direction anyway). I really like the clarity of the piano sound now. So much so that this next idea was initially one of those really broad string melodies but couldn’t resist adding a piano figure.

I’ve previously shied away from posting very obviously String orchestra tracks because I’ve not been happy with my string mock-up sounds. Try as I might, nothing can replace how a human string player would interpret a single note. Give a good violinist a single held note and they’ll be able to do the most amazing things to that one note — colour it; shape it; change it’s nuance; give it direction — a whole multitude of things a computer simply cannot recreate or imitate. So here goes… it is only about 8 bars (but a very broad 8 bars).

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Not music for a small screen – broad sound, broad visuals. So as I said, I’m not sure yet where I’ll take these ideas but I’ll be sure to post the results here.

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